10 Popular Movie on Netflix 2021

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10 Popular Movie on Netflix 2021  Netflix has been notoriously stingy with its data. Even directors and showrunners have had a hard time gauging if what they’d put out into the world was reaching its intended audience. With the advent of the Netflix Top 10, though, we can now get at least one little peek behind the curtain. The list of Netflix’s daily Top 10 Most Popular indicates an omnivorous appetite among the Netflix faithful, from reality shows to prestige TV, animated kids shows to docu-series of every stripe. Here are the entries for December 6 of the most popular TV shows and movies on Netflix.

1. Money Heist

Year: 2017-2021
Creator: Álex Pina
Stars: Úrsula Corberó, Álvaro Morte, Itziar Ituño, Pedro Alonso, Paco Tous
Genre: Crime Thriller
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A blockbuster ensemble drama with a broad demographic appeal, Casa de Papel (AKA, Money Heist) is likely the one international Netflix Original you don’t need us to tell you to watch, given that 2020 saw it hit the Top 10 in a whopping 92 countries. Still, in case you’ve yet to hop the Money Heist train, the deal is this: A kind of serialized Ocean’s Eleven, the show follows a group of criminals as they launch a mad plan to rob the Spanish mint. Like in Ocean’s Eleven, most of the ne’er-do-wells involved in the series’ titular heist are strangers to one another before being tapped by El Profesor (Álvaro Morte); unlike in Ocean’s Eleven, El Profesor works hard to make sure it stays that way. Thus we get a narrator (Úrsula Corberó, Snatch) known only as Tokío, a baby-faced tech genius (Miguel Herrán, Élite) known only as Río, a sociopathic ringleader (Pedro Alonso) known only as Berlín, and so on down the line, as well as the show’s signature red jumpsuit+Dalí mask aesthetic, which both the thieves and their hostages wear throughout the series. In combination, these details effectively anonymize them both to each other, and to hostage negotiator Raquel Murillo (Itziar Ituño), whose team El Profesor spends the first season working to infiltrate from outside the building—though whether that anonymity serves the heist’s purpose in the long run, you’ll have to watch to find out.
There’s a lot going on in Casa de Papel—as a serialized drama with a love for mystery-box storytelling and an ensemble cast that starts big and just gets bigger, it’s as interested in being a character study and exploring interpersonal relationships as it is in thrilling the audience with its own cleverness—but stretched across four seasons, it never feels like Too Much. So whether you’re jonesing for more heist action after Lupin, or in the mood for more Spanish melodrama after Élite, Casa de Papel might be for you. And with its fifth and final season due to hit Netflix later this year, now is a perfect time to catch up.  —Alexis Gunderson


2. Lost in Space

Year: 2018-2021
Creator: Irwin Allen
Stars: Molly Parker, Toby Stephens, Maxwell Jenkins, Taylor Russell, Mina Sundwall, Ignacio Serricchio, Parker Posey
Genre: Sci-fi/Adventure
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Lost in Space’s Molly Parker and Parker Posey generate much the same excitement as the series’ (many, mostly effective) action sequences. Its motor isn’t the force of the soldier, as represented by Toby Stephens’ gruff John Robinson, but the logic of the scientist (Parker), the guile of the con woman (Posey), the problem-solving acumen of Will (Maxwell Jenkins) and his older sisters, Penny (Mina Sundwall) and Judy (Taylor Russell). From using magnesium to melt ice and commandeering a “chariot”—a cross between a Jeep and a tank—to determining the cause of engine distress, the Robinsons are at their best untangling dilemmas, rather than blasting through them. At one point, facing a more complicated calculation than she expected, Maureen quips, “I’m gonna need a bigger whiteboard,” and it resounds as Lost in Space’s central proposition: That there’s room in the genre, and indeed on television, for the “science” in science fiction to be more than the expression of humankind’s worst instincts. In fact, though it’s been (not unreasonably) described as “darker” than Irwin Allen’s original, which aired on CBS from 1965 to 1968, the most important changes in Netflix’s remake—Parker’s top billing, Posey’s casting—reflect more depth than darkness, at least not darkness for its own sake. The series premiere aside, Maureen is John’s equal, if not, at times, the dominant figure in their relationship, one that turns out to be much thornier than it might seem. —Matt Brennan


3. True Story

Year: 2021
Creator: Kevin Hart, Eric Newman
Stars: Kevin Hart, Wesley Snipes, Tawny Newsome, Will Catlett, Paul Adelstein, Theo Rossi, Ash Santos, John Ales, Chris Diamantopoulos, Lauren London, Billy Zane
Genre: Drama
In his first dramatic series role, Kevin Hart plays Kid, a famous comedian whose latest movie is about to cross the $1 billion dollar mark. Kid’s entourage—including his manager Todd (Paul Adelstein), his bodyguard Herschel (Will Catlett), and his under-appreciated writer Billie (Tawny Newsome)—are all tasked with keeping Kid’s career and his image going strong. Things kick off when Kid checks into the Four Seasons in his hometown of Philadelphia, where he thinks he’ll be doing a few shows, hanging out with some old friends, and spending some quality time with his older (and often problematic) brother Carlton (Wesley Snipes). While Kid is hilarious, True Story is definitely not. Keep an eye out for an unsettling turn from Billy Zane as one of Carlton’s friends, and several unexpected plot twists in the pilot. —Amy Amatangelo


4. The Queen of Flow

Year: 2018-2021
Creator: Claudia Sánchez, Said Chamie
Stars: Carolina Ramírez, Carlos Torres, Andrés Sandoval, Adriana Arango
Genre: Drama
Rating: TV-MA

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This Colombian telenovela follows Yeimy Montoya (Carolina Ramírez), an aspiring singer/songwriter who was framed for drug trafficking and is released after spending 17 years in prison in exchange for assisting the DEA in bringing down the gangster who had her imprisoned. The first season debuted in 2018 as the top series in Colombia, and the second season came out this year.


5. The Power of the Dog

Year: 2021
Director: Jane Campion
Stars: Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons, Kodi Smit-McPhee, Thomasin McKenzie, Genevieve Lemon, Keith Carradine, Frances Conroy
Rating: R
Runtime: 126 minutes

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Based on the 1967 novel of the same name by Thomas Savage, Jane Campion’s long-awaited return to the medium of film—following 2009’s Bright Star and her subsequent years spent working in television—feels apt for a director who has demonstrated prowess at crafting an atmosphere of acute disquiet. And so it goes for The Power of the Dog, a film with a perpetual twitching vein, carried by the ubiquitous feeling that someone could snap at any moment—until they do. In 1925 Montana, brothers Phil (Benedict Cumberbatch) and George Burbank (Jesse Plemons) are prosperous cattle ranchers but incompatible siblings. Phil is the ultimate image of machismo, brooding around the ranch ever adorned in his cowboy outfit and a thick layer of grime on his face, a rolled cigarette hanging against his lower lip; a character that acts in defiance of Cumberbatch’s past work. Phil is so opposed to anything even adjacent to what could be considered “feminine” that things like bathing, playing an instrument that isn’t a banjo and just being nice to women are the kinds of activities which might lead Phil to inquire “Fellas, is it gay if…?” on Twitter. From the castration of the bulls on the Burbank ranch, to Phil’s status as the black sheep of his respectable family, to the nature of the western landscape tied to Phil’s performance of masculinity, the subtext is so visually hamfisted that it remains subtextual only by virtue of it not being directly spoken out loud. But the clumsiness in the film’s approach to its subject matter is propped up by the compelling performances across the board—notably from Cumberbatch, whose embodiment of a gruff and grubby rancher is at first sort of laughably unbelievable in relation to the performances that have defined the Englishman’s career. But it is, perhaps, because of this very contrast to his past roles that Cumberbatch manages to fit into the character of Phil so acutely, carrying with him an inherent awkwardness and unrest in his own skin despite the terror that he strikes in the heart of someone like Rose. He’s matched by the chilling score, composed by the inimitable Johnny Greenwood (The Master, Phantom Thread), and impeccable cinematography from Ari Wegner (Zola, The True History of the Kelly Gang), which form a perfect union of tension, intimacy and isolation in a film where the sound of every slice, snip and click evokes the same distressing sensation regardless of the source. What does it mean to be a man? The Power of the Dog considers the question but never answers it. Instead, it is preoccupied with a timeless phenomenon: The suffering endured for the very sake of manhood itself. —Brianna Zigler


6. Jurassic World Camp Cretaceous

Years: 2020-2021
Creator: Zack Stentz
Stars: Paul-Mikél Williams, Sean Giambrone, Kausar Mohammed, Jenna Ortega, Ryan Potter, Raini Rodriguez, Jameela Jamil, Glen Powell
Genre: Sci-Fi, Adventure
Rating: TV-PG
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Netflix has teamed up with DreamWorks Animation to produce the latest installment in the never-ending, spangled Jurassic franchise, an animated series set within the 2015 film’s timeline titled Jurassic World: Camp Cretaceous. The series follows six teens attending an adventure camp on the opposite side of Isla Nubar. When certain dinosaur-related incidents leave the kids stranded in the wild with no means of communication, they must join forces to survive and outlast the creatures. The series is a continuation of Netflix’s ongoing partnership with DreamWorks Animation to produce original animated family programming. Camp Cretaceous joins a roster of other original Netflix series produced in conjunction with the studio, including the Tales of Arcadia trilogy and The Boss Baby: Back in Business series. Season 4 is out now. —Savannah Sicurella


7. Single All The Way

Year: 2021
Director: Michael Mayer
Stars: Michael Urie, Philemon Chambers, Kathy Najimy, Luke MacFarlane, Jennifer Coolidge, Barry Bostwick
Genre: Romantic Comedy
Rating: TV-PG
Runtime: 101 minutes

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Netflix’s first Christmas film focused on a gay romance, Single All The Way, bundles up the tried and tested rom-com formula and re-wraps it in some modern wrapping paper to deliver a joyous gift of open-armed acceptance. All the familiar beats are refreshed by Peter (Michael Urie) and Nick (Philemon Chambers), two best friends spending Christmas at Peter’s family’s home. However, as soon as they walk through the door, festive shenanigans begin: Peter’s mother has set her son up on a blind date, but one by one, the rest of the family begins to see Nick as the more perfect match. A jovial, entertaining watch for all, Single All The Way’s seasonal splendor is heightened by the iconic Jennifer Coolidge playing Aunt Sandy, who is on a mission to make the nativity a theatrical showcase. —Emily Maskell


8. Life

Year: 1999
Director: Ted Demme
Stars: Eddie Murphy, Martin Lawrence, Obba Babatundé, Ned Beatty, Bernie Mac
Genre: Comedy, Drama
Rating: TV-PG
Runtime: 101 minutes

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Ted Demme’s buddy-dramedy about a pair of New Yorkers in 1932 who get framed for murder while they’re bootlegging liquor in Mississippi and end up serving life sentences in a hard labor camp. The Eddie Murphy/Martin Lawrence movie faced a tepid box office and mixed reviews when it was released in 1999.


9. Selling Sunset

Year: 2019-2020
Creator: Adam DiVello
Stars: Chrishell Stause, Christine Quinn, Maya Vander, Mary Fitzgerald, Heather Young, Davina Potratz, Romain Bonnet, Amanza Smith, Jason Oppenheim, Brett Oppenheim
Genre: Reality TV
The real-estate agents to the rich and famous are back for a third season of drama, including a wedding, a cameo from Queer Eye’s Karamo and lots of high-priced listings.


10. Red Notice

Year: 2021
Director: Rawson Marshall Thurber
Stars: Dwayne Johnson, Ryan Reynolds, Gal Gadot, Ritu Arya, Chris Diamantopoulos
Genre: Action Comedy
Rating: PG-13

Watch on Netflix
What happens when Hollywood’s marquee trio has the combined charisma of a wet paper towel? This question is inadvertently posed by Red Notice, Netflix’s latest blockbuster, which is ripe with CGI and plays like it was written by one of those AI-trained bots—with this particular one having been fed hundreds of hours of soulless, money-wasting heist flicks. The film follows FBI criminal profiler John Hartley (Dwayne Johnson), as he attempts to catch one of the world’s leading art thieves, Nolan Booth (Ryan Reynolds), who is on a mission to steal Cleopatra’s mythic sparkling eggs. But the two get outsmarted by femme fatale art thief The Bishop (Gal Gadot) and end up in prison while she attempts to snag the eggs for herself. Where does that leave the duo? They’ve got to break out of prison and take the relics for themselves, of course.
When the three leads are together, one can’t help but wonder if they’ve ever been in the same room. In fact, their intense lack of chemistry makes me suspect that their scenes are actually a composite of three people acting in different studios. Gadot’s glaring lack of comedic timing clashes with Reynolds’ expertise in that area, and Johnson and Reynolds seem only minimally invested in one another, which makes the film’s quasi-buddy-cop undertone a hard sell. All three act like they’re in their own movie—whether it’s Deadpool or Wonder Woman or Furious 7—and none seem to have gotten the memo that no one else is in that movie with them.

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